I got into a fight with Robin, I got into a fight with Gary, I got into a fight with Fred, I got into a fight with Sal, I got into a fight with Richard, I even got into a fight with Howard! How the fuck did I think that was okay? I got into so many fights on the air that they made a Best of Artie’s Fights special after I was gone that they still replay all the time. Usually those friends aren’t too receptive when you try to tell them that collecting paintings by serial killers isn’t going to get them laid. And obviously I didn’t care about the consequences it had on the relationships in my life, so it became a bit of a hobby-the kind of hobby your friends have that you wish they didn’t. Like I said, anger was a sick thrill for me: it got me going, it blew off steam, and it made me feel alive. I might spend half a show sleeping, in other words nodding off on heroin, but I’d wake up with more energy than an angry terrorist, ready to rail away at my target until I reduced them to the level of anger, loathing, insecurity, and frustration that I felt every single nonhigh hour of my day. I could make people become someone they didn’t like, which suited me fine because I didn’t like myself either.ĭuring my descent, I may not have been the best cohost, but I was one hell of a fighter: a slouching tiger, sleeping dragon, if you will. If I decided that they were out to get me somehow or just decided that I didn’t like them (probably because they seemed happy and I was a miserable drug addict who got a perverse thrill from destroying everything good in his life) I would lock on to my victim like a pit bull, keep at it until I found their soft spot, and force them to lose their temper in a very uncharacteristic way. I could get under the skin of the most good-natured member of the crew on their happiest day because that’s just what I do. They went way beyond the acceptable level of shit giving and taking that defines the Stern universe because I drove them there directly. These weren’t one-round back-and-forth sparring matches: these were heavyweight insult slugfests with low blows, no rules, and blood on the canvas by the end of them. Read moreīy the end of my eleven-year career on the Howard Stern Show, by my count I had gotten into a fight with literally every single person that worked for the show. And despite his slip-ups, backslides, and permanent losses, Artie forges on. With the help and support of friends and family, Artie claws his way back, turning his life and career around. For the first time, Artie reveals all: the full truth behind his now legendary Stern Show meltdown, his suicide attempt (which he relates in terrifying detail), surprising stints in rehab, and painful relapses. In the midst of a deep, self-destructive depression, addicted to heroin and prescription drugs, he lashed out at everyone around him-from his fellow cast members on The Howard Stern Show, to celebrity guests, to his longtime friends, and even his own family.īy turns dark and disturbing, hilarious and heartbreaking, and always drop-dead honest, the New York Times bestseller Crash and Burn lifts the curtain on Lange’s dangerous slide. Veteran comedian Artie Lange turns an unflinching eye and his signature wit on his perilous descent into drug addiction, life-threatening depression, and ultimately, his recovery, in the follow-up to his hilariously raw debut, the #1 New York Times bestseller Too Fat to Fish.Īt a high point in his career, Artie Lange played a sold-out show in Carnegie Hall and totally killed-yet during his standing ovation, all he could think of were the two bags of heroin in his pocket.
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